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The Ferry at Didubeh Pintura Identificación:: 95810
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The Ferry at Didubeh pre 1919
Oil painting on oilcloth
198 x 105 cm (78 x 41.3 in)
cjr pre_1919
Oil_painting_on_oilcloth
198_x_105_cm_(78_x_41.3_in)
cjr
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The White Restaurant Pintura Identificación:: 96056
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The White Restaurant from 1895(1895) until 1903(1903)
Medium Oil painting on oilcloth
Dimensions 80 x 49 cm (31.5 x 19.3 in)
cjr from_1895(1895)_until_1903(1903)_
Medium_Oil_painting_on_oilcloth_
Dimensions_80_x_49_cm_(31.5_x_19.3_in)_
cjr
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Boy Delivering Lunch Pintura Identificación:: 96062
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Boy Delivering Lunch 48 x 82 cm (18.9 x 32.3 in)
Oil painting on oilcloth
1908
cjr 48_x_82_cm_(18.9_x_32.3_in)
Oil_painting_on_oilcloth
1908
cjr
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Festival on the Tzkhenis-tzkaly River Pintura Identificación:: 96065
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Festival on the Tzkhenis-tzkaly River 1900s
Medium oil on oilcloth
Dimensions 197 x 112 cm (77.6 x 44.1 in)
cjr 1900s_
Medium_oil_on_oilcloth_
Dimensions_197_x_112_cm_(77.6_x_44.1_in)_
cjr
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Porter with a Wineskin Pintura Identificación:: 96067
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Porter with a Wineskin pre 1919
Oil painting on oilcloth
34 x 51 cm (13.4 x 20.1 in)
cjr pre_1919
Oil_painting_on_oilcloth
34_x_51_cm_(13.4_x_20.1_in)
cjr
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| Artista Previo Próximo Artista
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Niko Pirosmanashvili
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(born Niko Pirosmanashvili; May 5, 1862-1918) was a Georgian primitivist painter.
Pirosmani was born in the Georgian village of Mirzaani to a pleasant family in the Kakheti province. His family owned a small vineyard. He was later orphaned and put in the care of his two elder sisters. He moved with them to Tbilisi in 1870. In 1872 he worked as a servant for wealthy families and learned to read and write Russian and Georgian. In 1876 he returned to Mirzaani and worked as a herdsman.
Pirosmani gradually taught himself to paint. One of his specialties was painting directly into black oilcloth. In 1882 he opened a workshop in Tbilisi which was unsuccessful. In 1890 he worked as a railroad conductor, and in 1895 worked creating signboards. In 1893 he co-founded a dairy farm in Tbilisi which he left in 1901. Throughout his life Pirosmani, who was always poor, was willing to take up ordinary jobs including housepainting and whitewashing buildings. Although his paintings had some local popularity (about 200 survive) his relationship with professional artists remained uneasy; making a living was always more important to him than abstract aesthetics. |
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